Friday, May 20, 2011

final assignment


                                                            Final Assignment

            Throughout the course of the semester, we have read 10 books, all written by women.  Coming into this class, I did not know what to expect.  Truthfully, I chose this class just to fill English requirement credits, and thought that the books in a women’s literature course would be torture for any male who is forced to read them. However, my experience in this class far exceeded the skepticism I had coming into the class.  The books were not the female supremacist guidelines that I expected them to be, and, honestly, they were very interesting for the most part.
            I think that this course helped me understand women’s thought processes better, since the books that we read were either about real life experiences they went through, or, a fictional generalization of what women may experience, and how they react to it.  I have learned that women put more emphasis on certain experiences that tend to stick with them throughout their lives.  I have also inferred that these events mold a woman’s personality much more than it would have done to a man, potentially due to the maternal instincts of women. 
            One theme that has reoccurred throughout novels this semester was childhood.  It seems that early childhood and adolescence have been the most pivotal points in the lives of the women we have read about.  For example, in Fun Home, by Alison Bechdel, Alison portrayed important parts of her childhood that would affect her for the remainder of her life.  Her family was very dysfunctional, and her father always seemed to be more interested in the restoration of their home than his own children.  Her father also took on most of the responsibilities that the matriarch is traditionally in charge of.  This was definitely a factor in Alison becoming a lesbian.  The gender role of her father caused her identity with herself to be questioned, as her father tried to make her as feminine as possible.  This gave Alison a false sense of gender identity, only to later find out that her father has secretly had homosexual affairs both in the military and with his high school students.  This is just one example of how a childhood with untraditional circumstances can lead to a permanent lifestyle in the books we have read.  Another example of a distraught childhood affecting a character was in Push.  Precious grew up in a broken home, where her mother verbally abused her, and when her father showed up, it was usually to molest Precious.  Obviously, something so grave would affect anyone in that circumstance.  However, many other things led to Precious’ troubled lifestlye.  She grew up being looked at as an insignificant troublemaker by people who had no idea what she had went through.  She gave birth to her first child, a product of her father, who had been born with a mental disease.  She went on to name him, “Lil Mongo.”  This is evidence that her troubled childhood had eliminated any amount of self-worth that she had.  She remained troubled, and supposedly worthless, until she met Ms. Rain, who was the first person who truly wanted to help her, and intervened on her own.  She eventually got precious to open up to her, and Precious would begin her journey to being a more confident, valuable woman.  When Precious gave birth to her second child, she was old enough, and mature enough, to understand what being a mother really meant.  She gave her child a real name, and the author left the reader with a sense that she would go on to give him the childhood that Precious could never experience.
            A final theme that seemed to be evident in many of the books we read was sexuality.  This was an aspect of almost all of the books we have read, and many of the times, it was tied into the character’s childhood, such as in, Fun Home, and, Push.  Not all of them, however, are a result of a troubled childhood.  In, The Vagina Monologues, by Eve Ensler, an incredible amount of emotion is portrayed through her fictional monologues.  She “asks her interviewee,” to ask what their vagina would wear if it had to wear clothes.  The answers ranged from dirty, ripped jeans to pink boas. Since Ensler is a woman, I think that the fact that her book has been so critically acclaimed proves that she is just one of woman out of the entire population who has a strong, both physical and emotional relationship with her vagina. 
A Second theme portrayed by novels we have read this semester is motherhood, or lack thereof.  Motherhood is important to both the child and the mother.  In many cases, a child who grows up without the traditional mother figure can be vulnerable to many mental and physical problems.  However, the act of being a mother is equally important.  In, The Shawl, Rosa is faced with the option of attempting to save her daughter from being killed by a Nazi.  She opts to not save her daughter, and is forever haunted of robbing her child of a childhood, and herself of motherhood.  Being alive after watching the death of her daughter made Rosa feel as though she were living only because of Magda’s sacrifice.  I think that this shows how important being a mother and caring for a child is to any woman, whether they have already had children or not.
Throughout this women’s literature class, I have read books that have opened me up to a new set of theories and emotions.  Some of the reoccurring themes we have read about include childhood sexual identity, and motherhood.  All of these, in my opinion, are looked at in a different light by women than it would have been from a man’s point of view.  Overall, I think these novels tried to expose those differences, and bring many things that are often concealed, and seldom spoken of, into the light of the public to provide knowledge to those who are ignorant, or misinformed, about the troubles and triumphs of being, and becoming, a woman.

Friday, May 6, 2011

2 or 3 things i know for sure

In, 2 or 3 Things I know for Sure, by Dorothy Allison, pictures are sporadically posted in the novel to give the reader a sense of what Allison's life was truly like.  I think that the pictures do a good job in keep the reader entertained, and willing to read more than it would if this biography did not have these pictures in it. The pictures all may seem to be just another average photograph that would be found laying around the house, but all of them seem to have an underlying message that Allison can connect to very strongly.  Also, by looking at the photos, as the story progresses, you can tell when Allison's life started to change for the worse.  I think that this is not laziness of the author, and not just a way to show off her photographs from her childhood to the readers, but rather a way of enhancing the reader's experience by adding another form of media into the novel.  A picture is worth 1000 words, and Allison admits to this on page 39, when it reads, "Behind each story I tell is the one I don't."  This simply reinforces the idea that she uses multimedia to support the memoirs that she wants the reader to see as vividly as possible.  I think that this book has a similar feel to that of Fun Home, because of the way she not only writes, but shows the reader about her struggles and hardships of her life at home.  I enjoy this, as not only does it make it an easier read, but it truly gives the reader a sense of who was truly in her life, and what they looked like.

Monday, May 2, 2011

the shawl

Over the course of the semester, we have read a number of novels in which one of the main topics has been the role of motherhood affects both the mother and the child.  I think that for every woman, being a mother is a natural necessity, and not just a social standard.  When Magda is killed in the concentration camp, Rosa   is robbed of something that every woman should be entitled to.  Her choice that she chose not to try to save Magda sticks with her, and becomes, what I think, the internal reasoning behind Rosa's supposed craziness.  The fact that she uses Stella as a scapegoat prolongs her eventual mental meltdown.  I think that she is permanently stripped of any sense of fulfillment, as the Nazi forces who she had no control over took her only child.  I think that Rosa doesn't know whether to blame herself or Stella for what happened, and that forced her to live with the insecurity of potentially never being a mother again.  I also believe that even if she were to have another child, it would just be a constant reminder of the horrible, traumatic events that she experienced.  This truly would mitigate her survival of the holocaust, knowing that a huge part of her has been taken, and can never return.  The fact that she can't do anything to save Magda, or replace her, makes her feel insecure that her life is even worth living.  I think that having faced such a crossroads in her life, in such an extreme circumstance, the scars left on Rosa had made the pain nearly insurmountable, thus mitigating her survival of a massive genocide.

Thursday, April 28, 2011

the shawl

In, The Shawl, by Cynthia Ozick, the readers may ask themselves multiple times throughout the novel, "Is Rosa crazy?"  Rosa, obviously traumatized by the horrific acts of genocide that she witnessed with Magda and Stella, does things throughout the novel that may jeopardize her sanity.  All things considered, however, what Rosa had lived through was enough to make anyone go insane. After witnessing the murder of her small child, Rosa is forever alone, with just Stella to look back on the events which took place during the Holocaust.  However, Rosa has held a grudge with Stella since the incident where she took the shawl, leaving Magda exposed, which would eventually lead to her demise.  Once leaving the concentration camps and arriving in New York, Rosa had established a humble antique shop.  I think that it took Rosa a while to feel that she did not deserve the life she was living because she was in denial that she could have done anything to save Magda.  I personally do not think that there was anything she could have done, but I do think that Rosa does, and that is why she has held such a grudge with Stella.  Rosa uses Stella as a scapegoat for her taking the shawl, because she feels that she is as responsible for Magda's death as Stella is.  After keeping all of this bottled up for years, she eventually snapped and destroyed the antique shop that she once created.  I think that Rosa confines herself to a disheveled Miami hotel to live a lifestyle that she thought was more deserving for her, after "taking the life" of her daughter.  I do not think that Rosa is genuinely crazy, however.  Before the concentration camp, Rosa was an ordinary girl, who has not been exposed to such traumatic events.  After all that she experienced, however, in my opinion, she had not become crazy, yet she had been institutionalized, the same way that someone would be after going to prison for years.  I think that that is why she moved to such a terrible place, to replicate where she thought she deserved to be.  Having said that, I do not think that Rosa is crazy, however, I do not think this is a success story.  I think that the oppression from the Nazi's clearly outweigh any form of success she may have had, whether she would ever live a normal life again or not.  



Sunday, April 24, 2011

emperor 3


I think that Otsuka wrote about the topic of Japanese internment camps mainly for one obvious reason; to bring something that is seldom spoken about to light.  I also think that it was for her own knowledge of the situation, as she learned little about it while growing up.  I think that this book took a more, “under the radar,” approach to discussing something that is rarely touched upon, than a novel such as, The Vagina Monologues.  Although one novel is about a topic that is obviously much more solemn than the one discussed by Eve Ensler, Otsuka’s mission was similar.  This novel, in my opinion, relates to the events that happened on 9/11, as well as any national tragedy or corruption, as it will rarely be seen being discussed, and affected thousands of families for generations to come.  The families who have been affected would have to keep to themselves, when provided little to no outlets to express how they feel about it, or to hear someone else's perspective of the event.  I think that is also a reason why the family members are unnamed throughout the book.  Otsuka seemed to have been writing this novel for any and everyone who has experienced any type of this trauma.  The nameless family, in my opinion, is to represent all of the families who can relate, in any way.  I also think that this is why so much is left unsaid, or said in a monotonous tone throughout the novel; so that the reader can relate to the family in their own way, whether having gone through such a circumstance or not.  When the Emporer Was Divine, is a novel written about a little-known topic.  The author had little knowledge of the events growing up, but later learned the harsh realities of the internment camps, and shared her knowledge with the world to shine light on it.




emperor 2


Otsuka’s style, throughout, When the Emperor Was Divine, may strike people as a minimalist approach to the topic at hand, and I do agree.  I think that for such a topic, which is clearly such an emotional nightmare for any family, Otsuka tried to leave out a lot of the blatantly overwhelming emotional dialogues to let the reader read between the lines, and try to force them to imagine how it would be in such a situation.  I think that after reading Push, which is clearly a much more disturbing novel on the surface, When the Emperor Was Divine, was much harder to get the full experience from the novel that the author desired.  I think that it could have been a better read if not read so soon after Push.  I think the monotonous tone is not so much an example of a minimalist approach, but rather a way of showing the reader how the family tried to maintain optimistic while in an obviously excruciating circumstance.  I think that most families would react this way, as to not discourage the others, and simply act level-headed.  I think that her tone can be considered minimalist throughout the novel, yet I think that it plays a bigger role in letting the reader connect on their own, instead of being thrown into a situation that few people are well-informed about, if familiar with the internment camps at all.

Tuesday, April 19, 2011

Divine emporer 1

When The Emporer was Divine, is a story that is a clear contrast of most peoples' idea of the, "American Dream."  Immigrants from all over the world thought that they would be coming to America to be in the center of the world's most lucrative melting pot.  I do not think that anyone who came to America in hopes to find the "American Dream," would imagine that their family would be harassed and dismantled due to their race.  When people imagine America upon immigration, they would generally think that they would be living lavishly, will little to worry about, and many goods and luxuries that they would become accustomed to living with.  It is hard to fathom that someone would associate the "roads paved with gold," with being taken away from their home, separated from their patriarch, and told that they are only allowed to bring one suitcase full of belongings, not to mention that all of the items be recorded on a list.  The killing of the family's pet dog, which is now not only illegal, but incredibly immoral, seemed almost sacrificial, as it was provoked by the family's background.  To the family, America had not at all been what they have expected or dreamt of.  They thought they would remain a sound, happy family, and not have letters from the father figure being labeled, "detained alien enemy mail."